Painting from photographs

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As this is my first post of 2020, it seems appropriate that the painting above is of a walk I took on New Year’s Day.  It is a view of the Peak District near Bakewell; I was walking with my friend Jill.  I did not bravely sit on the hillside painting despite the January weather.  I painted it a couple of days ago, at home, from a photograph I had taken during the walk.

Actually, I rarely paint from photographs.  I am interested in painting on location, partly because I would rather get out of the house than paint at home.  On the whole I have either taken art classes and trips which take this approach, or making paintings from my own drawings.  In mid-winter, it seems worth trying an alternative approach.

I have started a new watercolour class, at London’s Morley College.  This is week three, and we have been painting landscapes from photographs, although next week we paint still life.  In the first class we were trying different watercolour techniques, such as washes and resists.  Week two, we applied these to a landscape, using a muted palette (French ultramarine, burnt umber, yellow ochre) and a photographic reference.  I think mine was a mountain scene in the USA or Canada.  I feel my painting, below, is less than successful, but it was a beginning.

Week two

I put in some practice at home, and I am more satisfied with the painting at the head of this post, which is based on my own photograph taken in the Peak District:

Peak district

Today, week three of the class, the challenge was to paint a snowy landscape, learning how to reserve the white watercolour paper, again using a muted, winter palette of colours (French ultramarine, burnt umber, Windsor yellow).  Here is the photographic reference (I have no idea of the location) and my two paintings:

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