This week I had the challenge of drawing two Hindu temples, or mandirs, in North London, both of them buildings with extremely complex stone carvings. I needed to find ways of drawing these buildings in a fairly short space of time. The drawing above, and the photograph on the left, is the Shri Sanatan Mandir at Alperton, near Wembley.
The photograph on the right is of the BAPS Shri Swaminarayan Mandir in Neasden. Here is a second drawing of the Shri Sanatan Mandir, and one of the entrance to the Shri Swaminarayan Mandir.
Recently I spent a few days painting in the Exmoor National Park, staying at Selworthy. The painting above shows a view of Exmoor near the North Devon coast. Below, a farm building near where I was staying, and a wind-blasted tree which was painted on the coast at Porlock Weir. All the works are watercolour, painted on location.
Yesterday, I ran a sketchcrawl in Dulwich Village with Urban Sketchers London. I also found time to draw across four pages of my concertina sketchbook, and the results are shown below. The paper was initially prepared with torn paper collage, acrylic gesso and random marks with diluted indian ink. Then I drew on location with chinagraph pencil, which is a waxy, quite thick black pencil which encourages a bold approach. I am finding that the concertina format encourages a more flexible use of different images across the spread, developing a portrait of the place, in this case Dulwich Picture Gallery and its surrounds.